Search

Entertainment

Alicia Witt to Lead Colombian Horror Film 'Incuba Project'

Roger EbertRoger EbertNov 09, 2026

Actress Alicia Witt, recognized for her performance in the hit movie “Longlegs,” is slated to headline the Colombian horror thriller “Incuba Project.” She will share the screen with María Camila Giraldo, celebrated for her role opposite Al Pacino in “The Ritual.” This English-language feature, directed by Chilean filmmaker Juan Pablo Arias, is set to commence filming in Colombia, marking a significant international collaboration in genre cinema.

“Incuba Project” to Unveil a Chilling Narrative with Social Depth

Scheduled for production in the vibrant landscapes of Colombia, “Incuba Project” represents the inaugural feature film from Red Script Factory, the in-house writing division of Red Collision Studios. Founded by the innovative Colombian producers Vanessa Gómez and Sebastián Caballero, Red Collision Studios aims to craft compelling genre films with a global appeal, rooted in Latin American narratives while boasting international production standards.

The screenplay, penned by María Camila Caballero Páez, an accomplished writer at Red Collision, intricately weaves a tale around Jhoana (portrayed by Giraldo), a Colombian immigrant driven to surrogacy as a means to provide for her young son. Her journey leads her to Maternity Incuba Care, an agency that promises assistance under the strict condition that all expectant mothers reside within its secluded facility throughout their nine-month term. As Jhoana's pregnancy advances, a chilling reality unfolds: the other women begin to mysteriously disappear, prompting Jhoana to uncover the sinister secrets concealed by the agency. Witt steps into the role of Minerva, the enigmatic and controlling head of this suspicious establishment, acting as both guide and guardian to the vulnerable women.

Director Juan Pablo Arias, known for his work on “Casa Grande” and the horror feature “The Curse of the Necklace,” expressed his attraction to “Incuba Project's” unique blend of atmospheric horror and sharp political and social critique. He noted that the project skillfully bridges the divide between commercial viability and artistic filmmaking, aligning perfectly with Red Collision's vision. Vanessa Gómez, executive producer at Red Collision Studios, emphasized the film's powerful message. She highlighted how genre cinema, much like “Get Out,” can expose uncomfortable truths. “Incuba Project” specifically addresses the exploitation of migrant women whose bodies become commodities in their desperate quest for a better life for their families, transforming their struggles into a poignant and visible cinematic narrative.

This film marks a notable return to the horror genre for Alicia Witt, following her roles in Osgood Perkins' “Longlegs” (2024) and Rebecca Kezian’s “Twisted” (2026), which also featured Djimon Hounsou. María Camila Giraldo’s recent credits include the exorcism thriller “The Ritual” with Al Pacino and Dan Stevens, and Kornél Mundruczó’s “At the Sea,” which premiered at the Berlin Film Festival.

Established in 2017, Red Collision Studios has also diversified its operations with Film in Colombia, a production service company, and Magic Trick Post Lab, a post-production studio. Gómez and Caballero are part of a burgeoning generation of producers propelling Colombia's film industry forward, benefiting from incentives that have boosted both international shoots and local productions. The studio's collaborations extend beyond borders, exemplified by their co-production with Chile’s Afro Films on “La puta vida,” starring Claudio Cataño from “One Hundred Years of Solitude,” which began filming in July. Red Collision's diverse portfolio also includes thrillers like “The Judge’s Shadow” and dramedies such as “A Certain Alonso Quijano,” both directed by Libia Stella Gomez, as well as Octavio Revol Molina’s “The Lagoon.”

This project is a compelling example of how cinema can serve as a mirror to societal issues, shedding light on the vulnerabilities faced by marginalized communities. The fusion of a gripping horror narrative with profound social commentary promises a thought-provoking and impactful viewing experience. It underscores the growing importance of diverse voices and perspectives in global filmmaking, challenging audiences to confront difficult realities while being entertained. The collaboration between Colombian and Chilean talents further enriches the cinematic landscape, showcasing the power of regional partnerships in creating universally resonant stories.

Continue Reading

Related Articles